Why I use RISO

This is the reason why I choose Riso for my HeLa Cells prints.
“The Risograph is a simple, bulky machine that was launched for the first time in Japan in the year 1986 by Riso Kagaku. It was developed as an alternative to widespread copying processes and is said to be the result of the union of serigraphy and photocopying. Fans of the Risograph defend it because, among other things, it’s an environmentally friendly device with ink composed solely of soy; it does not contain solvents; the printer, also known as a duplicator, uses very little energy. Its unique finish makes each work exceptional as it can produce variations that provide a personal character to each product during printing”

Pareidolia Series

Pareidolia I: The Kiss I

Pareidolia I: El beso I

Risografía de células HeLa (Fotografías realizadas con microscopio óptico y edición digital) a dos tintas en papel Munken Pure (240 gr) Tinta en base de aceite de soja color negro y oro metálico (edición especial)

Tamaño: A3

Pareidolia I (El beso I)

Pareidolia II: The Kiss II

Pareidolia II: El Beso II

Risografía de células HeLa (Fotografías realizadas con microscopio óptico y edición digital) a una tintas en cartulina negra (250 gr) Tinta en base de aceite de soja color oro metálico (edición especial)

Tamaño A3

Pareidolia II (El Beso II)

Pareidolia III: Elephant I

Pareidolia III: Elefante I

Tamaño A3

Pareidolia IV (Elefante II) Pareidolia IV: Elephant II

Pareidolia IV: Elefante II

Risografía de células HeLa (Fotografías realizadas con microscopio óptico y edición digital) a una tintas en papel Munken Pure (240 gr) Tinta en base de aceite de soja color oro metálico (edición especial)

Tamaño A3

Pareidolia III (Elefante I) Pareidolia V: La Maja

Pareidolia V: La Maja

Tamaño A3 Pareidolia V (La Maja) Pareidolia VI: Hippocampus

Pareidolia VI: Hippocampus

Tamaño A3 Pareidolai VI (Hippocampus)